TV drama Vs the novel: The pros and cons with Debra Oswald

Through most of my forty years as a writer, I’ve jumped between novels, plays and television scripts. Across all of those, the mission feels essentially the same – doing my best to conjure up intriguing characters and a story that will be gripping, moving, surprising but always plausible. If you peeked into my house when …

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Everyday psychopaths: Kelli Hawkins

Writing a crime thriller marks the author as a slightly suspicious person; perhaps even a downright shady one – or so I’ve recently discovered. My debut novel, Other People’s Houses, was released in March and I’ve lost count of the number of friends and family – even strangers – who’ve asked how, and why, I …

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The Creative Leap – Sarah Thornton

Looking back, the leap seems inconceivable. But when the notion first arrived I could not ignore it. I’d taken up law as a second career in my thirties. It was challenging, stimulating, sometimes thrilling, ultimately lucrative and I thrived on it. But twenty years on it had lost its lustre. I wasn’t even sure what I …

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Place in crime – Sandi Wallace

When we pick up a crime novel, we have expectations. Perhaps we anticipate that it will have a serious crime, or a memorable, possibly larger-than-life central character … or two or three. We may want high stakes, something surprising yet credible, or a story packed with rising conflict, making it powerful and urgent. But what …

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