Hooray: a Sisters in Crime chapter forms in Tasmania

A few bad apples gathered on Thursday 6 October 2022, withas well as some ring-ins from New Zealand, to celebrate the new Tasmanian Chapter of Sisters in Crime Australia at Frank’s Ciderhouse in the Huon Valley. Dr Angela Savage, CEO of Public Libraries Victoria, and Lindy Cameron, Vice-President of Sisters in Crime Australia were on hand to officially launch the new chapter.

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Lockdown – a debut crime novel about invisibility of older women

Janna Thompson, one of Australia’s most distinguished philosophers, and a long-time member of Sisters in Crime Australia, decided to turn her hand to crime when the pandemic hit Melbourne in 2020.The result is Lockdown (Clan Destine Press), a novel which explores how the invisibility of older women can provide the perfect cover for criminal investigations. Janna put the finishing touches to Lockdown before just before her death from multiple brain tumours in June at the age of 79.

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Crime wave across Australia – 27 stories shortlisted for the 29th Scarlet Stiletto Awards

Sisters in Crime Australia is proud to announce that 27 stories by 25 authors have been shortlisted for its 29th Scarlet Stiletto Awards for best short stories written by Australian women. Nicole Chamoun, star of Troppo, will present the awards at a gala dinner on Saturday 3 December, 6 for 6.30 pm, at South Melbourne’s Rising Sun Hotel. She will first discuss her life in crime with author and podcaster, Vikki Petraitis.

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The Crime Stack: Cut by Susan White

For the October Crime Stack, Affirm Press has kindly offered 20 copies of Cut by Melbourne author and medical doctor Susan White. Cut is a thrilling, provocative novel set against the backdrop of a major Melbourne hospital’s surgical team in the time before #metoo blew the lid off institutionalised misogyny and sexism. Be a member and be in the running to win!

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Corelli – TV Review by Siobhan Mullany

To celebrate its 90th anniversary, the ABC is posting classic TV dramas. One of these is Corelli. It is on a square screen but otherwise is as relevant today as it was in 1995. It is so much more than the set where Deborra-Lee Furness met Hugh Jackman. The portrayal of prison life is spot-on. From the first scene, you get a visceral feel for a prison: the noise, the bravado, the underlying menace, and the need for constant vigilance. The psychologists’ offices are squirrelled into the thick prison walls – the only light from high-set windows.

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