A love song to gritty Dublin: Louise Milligan

On the sands of Shellybanks, where tides can quickly turn treacherous, journalist Kate Delaney once nearly drowned. Years later, reeling from a violent crime that has upended her life in Melbourne, she returns to Dublin to comfort her beloved aunt Dolores—only to discover Dolores has her own buried trauma. Shellybanks, the novel, is a haunting tale of secrecy and survival, charting how two women find strength in each other as they reckon with Ireland’s hidden histories and the scars that endure across generations.

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The past is never dead

Murder mysteries and history books have a similar modus operandi. Both are concerned with whodunnit – and usually the why and how. Historical murder mysteries are doubly credentialled, as three authors with new books – Amanda Hampson, Natalie Conyer, and Tara Oldfield – will explore with host Maryanne Vagg. Book here The Model Murder (Penguin) …

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The highs (and lows) of publishing: Bronwyn Rodden

Childhood writing games, shelves of books, and a sister who became a librarian and introduced Bronwyn Rodden to the Blue Mountains helped in the creation of her book series set there. As a child, her family stayed at the old art deco hotels. They seemed so luxurious, after growing up in a fibro house on the fringes of the city. The breathtaking natural scenery also made an impact.

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What You Don’t Know

What You Don’t Know is the perfect title for this serpentine novel, where it becomes increasingly difficult to untangle the underlying truth from the knot of strange and sinister events that surround the main character. What You Don’t Know is well plotted, with all the various strands pulling tightly to a tense and ultimately satisfying conclusion.

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Lumps and bumps, blue eyes and small heads: Laraine Stephens

Laraine Stephens first novel, The Death Mask Murders, was inspired by her work as a volunteer guide at the Old Melbourne Gaol. In the cells are displayed death masks of executed felons. This gave her the impetus for a story line: What if the psychopath in The Death Mask Murders had developed a fixation with death masks and created them as ‘trophies’ of his victims?

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