Women crime writers in 21st-century Italy: Mirna Cicioni

There are two main differences between Italian and Australian women’s crime fiction. In Italian texts, murders are mostly motivated by jealousy or greed, and on the whole, there is less emphasis on family violence and on rape than in Australian fiction. The other noticeable difference is the emphasis on linguistic and cultural identity in the various Italian regions.

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Sharp and engaging storytelling: Veronica Gorrie

Veronica Gorrie drew on her lived experience as a Gunai/Kurnai woman and former police officer for her book Black and Blue: A Memoir of Racism and Resilience (Scribe Publications). Through her sharp wit and engaging storytelling, she takes us on her journey as an Aboriginal person who joined the white, male-dominated Queensland police. 

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Working Class Girl: Q&A with Karina Kilmore

Debut author Karina Kilmore drew on her own life and work background to write her debut novel Where the Truth Lies (Simon & Schuster) which centres on a journalist investigating a death on the wharves and the tribal divide between big business, the media and unions. She spoke to Maggie Baron.  Q: Hi Karina, firstly …

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Zipping on the zeitgeist: Q&A with Meg Mundell

The Trespassers, Meg Mundell’s first foray into crime fiction, is presciently set during a global pandemic, and tracks the deprivations and fears of passengers sailing from London to Melbourne as new infections break out on board. It won Sisters in Crime’s 20th Davitt Award (Best Crime Novel). Meg talked to Janice Simpson about how this …

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Surviving the odds: Q&A with Elizabeth Flann

How does a woman alone on a remote island and running out of food escape the men hunting her? Elizabeth Flann’s debut novel, Beware of Dogs (HarperCollins), explores what happens with Robyn Walton.   A warm welcome to your first novel, Elizabeth. Your bio tells us you have a background in publishing, literature, and film? …

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