Women crime writers are in the spotlight, being interviewed about their books, their lives and more.
Suzanne Frankham, author of Shadow Over Edmund Street (Journeys to Words Publishing), told Maggie Baron that the collision of the past and present pushes her story into the thriller genre and towards its ultimate climax. The story is set in Ponsonby, a Victorian-era neighbourhood, close to the city centre, and the harbour in Auckland, where Suzanne grew up.
What are the joys and challenges of writing YA mysteries? Robyn Walton spoke to and long-time member, Joanna Baker, about her latest YA novel, Evermore (Soren Press, 2022) for Sisters in Crime’s December Author Spotlight. Joanna spends her time between north-west Victoria and Hobart where she grew up.
Melbourne author, Louise Bassett, spoke about her debut novel, The Hidden Girl (Walker Books Australia) with Maggie Baron for November’s Author Spotlight. She says young adults often have a strong sense of justice so this makes them a great readership for crime fiction. They are also challenge you as a writer—you have to keep your story engaging because there are so many things competing for young adults’ attention.
Best-selling UK author, Lisa Jewell, doesn’t usually write sequels. But, from the day her 2019 novel The Family Upstairs was published, her social media inboxes filled up with messages from readers begging her for a sequel. She told them no, at first, but then, began to think maybe it could be fun. The result is The Family Remains.
Before You Knew My Name by Jacqueline Bublitz is narrated by a young dead woman in New York. The book has won an amazing two Davitt Awards – for Best Debut and Readers’ Choice, as judged by the 500+ members of Sisters in Crime. Jacqueline splits her time between Melbourne and New Zealand and, luckily for us, crossed the ditch to accept the awards.
I really wanted to consider how much we can rely on other people, and how self-interest can be a corrupting influence. But there were other things I was wondering about as well and I think those wonderings worked their way into the mysteries in the plot. For instance, living as a colonising people, what should our relationship be to the land that we only claim to own because our ancestors stole it?
I’m curious about what sort of funny business plays out in these closed-off estates. What seedy habits warrant such high security? Why are the buildings so disturbingly identical? My theory is that the pristine gardens and fancy names are smoke and mirrors for fat, messy secrets.
I’ve learned to keep going and get the words down, even when I feel under the pump, knowing I can always come back and edit later. And I’ve learned that research can be a rabbit hole! I spent days reading about witness protection in the UK, first-hand accounts of it, legislation, and how it works. It was fascinating though.
The original inspiration for The Scarlet Cross came from my sister, who is an avid crime reader and a former psychiatric nurse. She was the one who suggested a hospital as the setting for a crime novel and I heartily agreed: the caregivers in a hospital are often at the coal face of crime, especially in the emergency department.
For me, Indigo is Batman in Chanel. Like Batman, her superpower is that she’s ridiculously rich. However, unlike Batman, she doesn’t go looking for crime to fight, rather crime comes looking to pick a fight with her.