Crime Scenes: B.M. Allsopp

Fictional detectives find bodies in weird places: in trains, on cliffs, at bus stops, on altars, in kitchens, libraries, washed up on beaches, even in the guts of predators. The murder’s wider setting often surprises readers too. When detectives hunt criminals in exotic locations, the landscape can even become the star of the story. Just …

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Writing a first crime novel at 75 – Judith Lees

“So why do you think that you can write a novel at your age?” my friends asked me. The simple answer is, I didn’t. I would like to say that I’ve been passionately writing since I could hold a pen but that simply is not true. Admittedly I’ve scribbled way through life with poems for …

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Rose Carlyle headshot

Never too late: Rose Carlyle

A few years ago I met Chris Cleave at a writers’ forum in Auckland. He had just published Everyone Brave is Forgiven and had opened the forum with a beautiful speech about the power of fiction in the age of hate. Sitting in the auditorium beside novelists Catherine Robertson and Vanda Symon, I felt like …

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Deep-diving into murder and the FBI: Ellie Marney

I first contacted the FBI in September 2018, when research for my new book, None Shall Sleep, was in full swing. None Shall Sleep is about two teenagers – serial killer survivor Emma Lewis and US Marshal candidate Travis Bell. Recruited by the FBI to interview juvenile killers, Emma and Travis are drawn into an …

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A Criminologist’s Role in Miscarriages of Justice: Xanthé Mallett

My background is forensic science – specifically forensic anthropology, think Dr Temperance Brennan from the TV series Bones.  I still work with the police, often focusing on image analysis these days, comparing suspect images to a person of interest, this could be a suspect or another person the police wish to identify for operational reasons. …

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Loretta Smith: The Allure of Photographs

The photographer Diane Arbus once said, “A photograph is a secret about a secret”. I think that’s what has always drawn me to photographs of all kinds, in particular portraits of people and especially the old black and whites. I have languished in op shops, staring into the faces of relatives whose relatives have consigned …

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My favourite crime-writing device: Lyn Yeowart

Whenever I’m engrossed in a ripping yarn of murder, mystery and mayhem, I love spotting the devices the writer has used to keep me turning the pages. My all-time favourite device is a spine-tingling heterotopia, where the characters are trapped in one place. I’ve long loved heterotopias, but only recently discovered that there’s a word …

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