Crime with heart: Rae Cairns

Part of the reason Rae Cairns writes, alongside an absolute love of storytelling, is to try to understand why people do what they do. She is particularly intrigued by the complexity of relationships, especially within family units, and the power of the need to belong. She is driven by the idea of exploring the female ‘hero’.

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The cult, the control, and the crime: Megan Norris

Eleven-year-old Stefanie Hinrichs came to Australia looking for paradise –and found herself trapped in the marriage from hell. In The Messiah’s Bride (Viking/Penguin, 2023), investigative journalist Megan Norris unravels the story of Stefanie’s lost childhood, her courageous escape with the messiah’s child, and how she eventually brought the cult down. Megan outlined what happened to Robyn Walton for Sisters in Crime Australia.

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Dangerous choices: Louise Bassett

Melbourne author, Louise Bassett, spoke about her debut novel, The Hidden Girl (Walker Books Australia) with Maggie Baron for November’s Author Spotlight. She says young adults often have a strong sense of justice so this makes them a great readership for crime fiction. They are also challenge you as a writer—you have to keep your story engaging because there are so many things competing for young adults’ attention.

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Twisted families: Lisa Jewell

Best-selling UK author, Lisa Jewell, doesn’t usually write sequels. But, from the day her 2019 novel The Family Upstairs was published, her social media inboxes filled up with messages from readers begging her for a sequel. She told them no, at first, but then, began to think maybe it could be fun. The result is The Family Remains.

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A dead woman narrator: Jacqueline Bublitz

Before You Knew My Name by Jacqueline Bublitz is narrated by a young dead woman in New York. The book has won an amazing two Davitt Awards – for Best Debut and Readers’ Choice, as judged by the 500+ members of Sisters in Crime. Jacqueline splits her time between Melbourne and New Zealand and, luckily for us, crossed the ditch to accept the awards.

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Shining bright: Kimberley Starr

I really wanted to consider how much we can rely on other people, and how self-interest can be a corrupting influence. But there were other things I was wondering about as well and I think those wonderings worked their way into the mysteries in the plot. For instance, living as a colonising people, what should our relationship be to the land that we only claim to own because our ancestors stole it?

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