A story of courage and hope from 1757: Christine Balint

Christine Balint began working on this novel in 2018 after finding a summary of the story in a book by American historian, Joanne Ferraro. The Royal Commission into Institutional Responses to Child Sexual Abuse had just taken place. She could not believe that in 1757, a child had had the courage to speak out and she had been believed and her abuser convicted.

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20th Law Week event. A is for Arsenic, D is for Death Cap

Exploring the many dimensions of poison as the ‘women’s weapon’ will be Chloe Hooper, co-author of The Mushroom Tapes; Linda Glowacki, toxicologist from the Victorian Institute of Forensic Medicine & Angela Savage on Agatha Christie and poisons; and host Vikki Petraitis. Poison was historically considered the archetypal ‘woman’s weapon’ as it required no special strength, only access and opportunity, things generally afforded women in their domestic role. Or is this an old, made-up sawhorse?

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A love song to gritty Dublin: Louise Milligan

On the sands of Shellybanks, where tides can quickly turn treacherous, journalist Kate Delaney once nearly drowned. Years later, reeling from a violent crime that has upended her life in Melbourne, she returns to Dublin to comfort her beloved aunt Dolores—only to discover Dolores has her own buried trauma. Shellybanks, the novel, is a haunting tale of secrecy and survival, charting how two women find strength in each other as they reckon with Ireland’s hidden histories and the scars that endure across generations.

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Journalist Sleuths

Who better than newshounds to uncover mysteries and track down murderers? Three Melbourne authors, Louise Milligan (Shellybanks), Laraine Stephens (The White Feather Murders), and Madeleine Cleary (The Butterfly Women), talk about how and why journalists make such superlative investigators with former journalist and crime author, Dr Liz Porter.

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